<?xml version='1.0' encoding='UTF-8'?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/'><id>tag:blogger.com,1999:blog-16504365</id><updated>2008-07-20T17:43:26.150+02:00</updated><title type='text'>shortlist</title><link rel='alternate' type='text/html' href='http://www.culturecuts.net/shortlist/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default?start-index=26&amp;max-results=25'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default'/><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://www.culturecuts.net/shortlist/atom.xml'/><author><name>***</name><email>noreply@blogger.com</email></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>618</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-16504365.post-5358389495404735268</id><published>2008-07-18T15:21:00.004+02:00</published><updated>2008-07-20T17:43:26.179+02:00</updated><title type='text'>: ANDORA live-stream</title><summary type='text'>
ANDORA LIVE IM ORF | click2XL
Der Pop-Künstler und Weltensammler ANDORA zählt zu den schillernsten Künstler-Persönlichkeiten dieses schwerelosen 21.Jahrhunderts. Er lädt nicht nur Rennwagen oder russische Raketen mit seinen Kunstwerken auf, damit sie geschmeidiger in die Umlaufbahn gleiten, sogar Alltagsdinge verzaubert er auf spielerische Weise, und schafft damit neue Wirkungsmöglichkeiten </summary><link rel='alternate' type='text/html' href='http://www.culturecuts.net/shortlist/2008/07/andora-live-stream.html' title=': ANDORA live-stream'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=16504365&amp;postID=5358389495404735268&amp;isPopup=true' title='0 Comments'/><link rel='replies' type='application/atom+xml' href='http://www.culturecuts.net/shortlist/atom.xml' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/5358389495404735268'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/5358389495404735268'/><author><name>***</name><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-16504365.post-503415186210607641</id><published>2008-07-16T14:27:00.005+02:00</published><updated>2008-07-16T15:39:39.425+02:00</updated><title type='text'>: Christian Schloyer</title><summary type='text'>

Christian Schloyer ( *1976 ) gehört zu einer jungen Generation von Schriftstellern, die nicht darauf warten, in einem Caféhaus von einem Agenten entdeckt zu werden. Schloyers Sprachspielereien sind zu mannigfaltig, dass sie sich in dünnen Lyrikbänden mit kleiner 500er Auflage (bei Lesungen persönlich angepriesen) erschöpfen würden. Christian Schloyer gründete die Autorengruppe und </summary><link rel='alternate' type='text/html' href='http://www.culturecuts.net/shortlist/2008/07/christian-schloyer.html' title=': Christian Schloyer'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=16504365&amp;postID=503415186210607641&amp;isPopup=true' title='0 Comments'/><link rel='replies' type='application/atom+xml' href='http://www.culturecuts.net/shortlist/atom.xml' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/503415186210607641'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/503415186210607641'/><author><name>***</name><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-16504365.post-4463958909629463718</id><published>2008-07-16T08:41:00.002+02:00</published><updated>2008-07-16T08:46:45.756+02:00</updated><title type='text'>: his death was not suspicious</title><summary type='text'>Seit die Briten so viel Geld in ihre Kameraüberwachung stecken, nimmt das Niveau der Polizeiarbeit deutlich ab.  Aktuell: Letzter Bewohner eines zu räumenden Wohnblocks wird mit Kettensäge enthauptet in seiner Wohnung gefunden, Polizei findet an dem Tod nichts ungewöhnlich.A man who was found with his head severed by a chainsaw was fighting to stay in a block of 70 flats in Hampshire cleared for </summary><link rel='alternate' type='text/html' href='http://www.culturecuts.net/shortlist/2008/07/his-death-was-not-suspicious.html' title=': his death was not suspicious'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=16504365&amp;postID=4463958909629463718&amp;isPopup=true' title='0 Comments'/><link rel='replies' type='application/atom+xml' href='http://www.culturecuts.net/shortlist/atom.xml' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/4463958909629463718'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/4463958909629463718'/><author><name>***</name><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-16504365.post-6775841190978281517</id><published>2008-07-15T16:37:00.002+02:00</published><updated>2008-07-15T16:42:09.149+02:00</updated><title type='text'>: Andreas Dorau | Demokratie</title><summary type='text'>
Kaum zu glauben, dass dieser Song aus der letzten Phase der NEUEN DEUTSCHEN WELLE schon 20 Jahre alt ist. Damals eher ein nicht ganz grosser Wurf, heute fast eine terroristische Kampfansage an die parlamentarische Demokratie.
Den Song gab es vor kurzer Zeit noch zum freien Download auf des Meesters Seite. Weihnachten? Geschenkt! *** Die schöne Bescherung als mp3-Geschenk von Andreas Dorau, iss </summary><link rel='alternate' type='text/html' href='http://www.culturecuts.net/shortlist/2008/07/andreas-dorau-demokratie.html' title=': Andreas Dorau | Demokratie'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=16504365&amp;postID=6775841190978281517&amp;isPopup=true' title='0 Comments'/><link rel='replies' type='application/atom+xml' href='http://www.culturecuts.net/shortlist/atom.xml' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/6775841190978281517'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/6775841190978281517'/><author><name>***</name><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-16504365.post-8290448280658517481</id><published>2008-07-15T05:47:00.005+02:00</published><updated>2008-07-17T06:42:10.334+02:00</updated><title type='text'>: BPA | Toe Jam</title><summary type='text'>The BPA | Toe Jam    The BPA debuted in 2008 with their song 'Toe Jam', along with a video featuring nude dancers with censor bars on them, making pictures and words with them. The BPA or Brighton Port Authority is a collaboration between musicians  Fatboy Slim, David Byrne, feat. English rapper Dizzee Rascal.
| Download | track / video from iTunes 
:. The BPA | mySpace
|| u are looking 4 the </summary><link rel='alternate' type='text/html' href='http://www.culturecuts.net/shortlist/2008/07/bpa-toe-jam.html' title=': BPA | Toe Jam'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=16504365&amp;postID=8290448280658517481&amp;isPopup=true' title='0 Comments'/><link rel='replies' type='application/atom+xml' href='http://www.culturecuts.net/shortlist/atom.xml' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/8290448280658517481'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/8290448280658517481'/><author><name>***</name><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-16504365.post-2113503241350036879</id><published>2008-07-10T06:26:00.002+02:00</published><updated>2008-07-10T06:51:32.728+02:00</updated><title type='text'>: Das Wunderwerk</title><summary type='text'>Karlheinz Stockhausens Ausspruch, die Anschläge des 11. September seien 'das größte Kunstwerk, das es je gegeben hat', ist Ausgangspunkt des Hörspiels Das Wunderwerk über Kunst, Glaube und Terror.

Christian Lollike verwendet theoretische Abhandlungen, journalistische Reportagen, philosophische Diskurse, Reklameslogans und Filmzitate und schickt seine Figuren mit diesem Material auf die Suche </summary><link rel='alternate' type='text/html' href='http://www.culturecuts.net/shortlist/2008/07/das-wunderwerk.html' title=': Das Wunderwerk'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=16504365&amp;postID=2113503241350036879&amp;isPopup=true' title='0 Comments'/><link rel='replies' type='application/atom+xml' href='http://www.culturecuts.net/shortlist/atom.xml' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/2113503241350036879'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/2113503241350036879'/><author><name>***</name><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-16504365.post-1733342506827384082</id><published>2008-07-09T19:07:00.001+02:00</published><updated>2008-07-09T22:43:17.027+02:00</updated><title type='text'>: David Tudor</title><summary type='text'>Der Komponist, mit dem David Tudor am meisten in Verbindung gebracht wird, ist John Cage. Cages Music of Changes, sein Concerto For Piano and Orchestra und auch 4' 33" wurden von ihm uraufgeführt, und Cage sagte später, dass viele seiner Klavierkompositionen entweder speziell für Tudor oder doch zumindest in Gedanken an ihn geschrieben worden seien.

John Cage - 4'33" by David Tudor
David Tudor -</summary><link rel='alternate' type='text/html' href='http://www.culturecuts.net/shortlist/2008/07/david-tudor.html' title=': David Tudor'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=16504365&amp;postID=1733342506827384082&amp;isPopup=true' title='0 Comments'/><link rel='replies' type='application/atom+xml' href='http://www.culturecuts.net/shortlist/atom.xml' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/1733342506827384082'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/1733342506827384082'/><author><name>***</name><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-16504365.post-5934670849815769588</id><published>2008-07-09T17:14:00.005+02:00</published><updated>2008-07-10T09:06:17.876+02:00</updated><title type='text'>: Interaurale Signaldifferenzen in der Strafkolonie</title><summary type='text'>

"Es ist ein eigentümlicher Apparat«, sagte der Offizier zu dem Forschungsreisenden und überblickte mit einem gewissermaßen bewundernden Blick den ihm doch wohlbekannten Apparat. Der Reisende schien nur aus Höflichkeit der Einladung des Kommandanten gefolgt zu sein, der ihn aufgefordert hatte, der Exekution eines Soldaten beizuwohnen, der wegen Ungehorsam und Beleidigung des Vorgesetzten </summary><link rel='alternate' type='text/html' href='http://www.culturecuts.net/shortlist/2008/07/interaurale-signaldifferenzen-in-der.html' title=': Interaurale Signaldifferenzen in der Strafkolonie'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=16504365&amp;postID=5934670849815769588&amp;isPopup=true' title='0 Comments'/><link rel='replies' type='application/atom+xml' href='http://www.culturecuts.net/shortlist/atom.xml' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/5934670849815769588'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/5934670849815769588'/><author><name>***</name><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-16504365.post-5319653118019071949</id><published>2008-06-24T10:29:00.003+02:00</published><updated>2008-06-24T11:18:07.281+02:00</updated><title type='text'>: kabadada oder kabadu</title><summary type='text'>Bist Du noch kabadu oder darfst Du schon kabadada?

Die Kunsthochschule für Medien Köln (KHM) hat ein neues Videoportal entwickelt, auf dem sich Kabarettisten, Comedians, Slam Poets und deren Veranstalter und Agenturen präsentieren können. kabadada.de wendet sich an die professionell arbeitende Szene, während kabadu.de dem hoffnungsvollen MitMach-Amateur offen steht 'Du bist Kabarett', </summary><link rel='alternate' type='text/html' href='http://www.culturecuts.net/shortlist/2008/06/kabadada-oder-kabadu.html' title=': kabadada oder kabadu'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=16504365&amp;postID=5319653118019071949&amp;isPopup=true' title='0 Comments'/><link rel='replies' type='application/atom+xml' href='http://www.culturecuts.net/shortlist/atom.xml' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/5319653118019071949'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/5319653118019071949'/><author><name>***</name><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-16504365.post-3494771055510134828</id><published>2008-06-24T08:15:00.002+02:00</published><updated>2008-06-28T19:21:46.313+02:00</updated><title type='text'>: Udo Tiffert</title><summary type='text'>im öljuni 2008

überall finden sie öl
in brasilien, kanada, im kaspischen meer
auch unterm nordpol…
ich gehe zum händler
kaufe mein auto zurück
ich mache die tür auf
setze mich rein, motor an
mein rücken nimmt die lehne
geil ist gar kein ausdruck!

© Udo Tiffert, via | lyrikmail #1785 |

Udo Tiffert (*1963) schreibt Geschichten, Lyrik und fürs Kabarett; er ist Mitglied der Lesershow. Aktuelle </summary><link rel='alternate' type='text/html' href='http://www.culturecuts.net/shortlist/2008/06/udo-tiffert.html' title=': Udo Tiffert'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=16504365&amp;postID=3494771055510134828&amp;isPopup=true' title='0 Comments'/><link rel='replies' type='application/atom+xml' href='http://www.culturecuts.net/shortlist/atom.xml' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/3494771055510134828'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/3494771055510134828'/><author><name>***</name><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-16504365.post-2852865072726676499</id><published>2008-06-23T12:02:00.004+02:00</published><updated>2008-07-16T16:44:24.755+02:00</updated><title type='text'>: Nikouala [foot080]</title><summary type='text'>

This album is a retrospective of Nikouala's music, recorded between 2004-07 at Porto (Nikouala Mobile Studios) and Barcelos (Oops! studio) - Portugal. Nikouala performed live for Portuguese national television RTP2 'Operation : You think you can change the world and then...'.

artist : Nikouala
titel : Japanese Edition
release : foot 080
netlabel : bumpfoot

3 of 9 tracks
 01 Gepetto's Death | </summary><link rel='alternate' type='text/html' href='http://www.culturecuts.net/shortlist/2008/06/nikouala-foot080.html' title=': Nikouala [foot080]'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=16504365&amp;postID=2852865072726676499&amp;isPopup=true' title='0 Comments'/><link rel='replies' type='application/atom+xml' href='http://www.culturecuts.net/shortlist/atom.xml' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/2852865072726676499'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/2852865072726676499'/><author><name>***</name><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-16504365.post-6447193027839586535</id><published>2008-06-20T21:15:00.004+02:00</published><updated>2008-06-26T17:08:29.286+02:00</updated><title type='text'>: Ambient Minimal | Digi Hartatak</title><summary type='text'>

Digi Hartatak introduces his excellent music: 'For the ambient part, I used recent field recordings that I just added to Freesound over an almost drone like intro. ... For the Elevator Mix I started off with a 3/4 march from an old wax cylinder from 1898 and added some snippets from pop culture and history until I built it up enough to morph to 4/4 time for some swing notes. Guest appearances </summary><link rel='alternate' type='text/html' href='http://www.culturecuts.net/shortlist/2008/06/ambient-minimal-digi-hartatak.html' title=': Ambient Minimal | Digi Hartatak'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=16504365&amp;postID=6447193027839586535&amp;isPopup=true' title='0 Comments'/><link rel='replies' type='application/atom+xml' href='http://www.culturecuts.net/shortlist/atom.xml' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/6447193027839586535'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/6447193027839586535'/><author><name>***</name><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-16504365.post-173670807993352692</id><published>2008-06-19T14:10:00.003+02:00</published><updated>2008-06-19T14:35:21.553+02:00</updated><title type='text'>: Olivenblütenfest in Köln</title><summary type='text'>

Die ersten Oliven aus deutscher Ernte werden beim 3. Olivenblütenfest in Köln erstmals der Öffentlichkeit als 'Rheinische Tafeloliven' präsentiert.
Stephan Marzak, von Hause aus Importeur feinster Olivenöle, hat hierzu im Frühjahr 2005 den Grundstein gelegt. Bereits Anfang der 90er Jahre hat er sich ein kleines Grundstück mit einem Olivenhain in Ligurien gekauft, später dann die ersten </summary><link rel='alternate' type='text/html' href='http://www.culturecuts.net/shortlist/2008/06/olivenbltenfest-in-kln.html' title=': Olivenblütenfest in Köln'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=16504365&amp;postID=173670807993352692&amp;isPopup=true' title='0 Comments'/><link rel='replies' type='application/atom+xml' href='http://www.culturecuts.net/shortlist/atom.xml' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/173670807993352692'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/173670807993352692'/><author><name>***</name><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-16504365.post-2835975471997798485</id><published>2008-06-19T13:20:00.002+02:00</published><updated>2008-06-19T13:42:54.591+02:00</updated><title type='text'>: SMART | Field Work 2</title><summary type='text'>

As a two-part exhibition and an ongoing discussion, Field Work conjectures two parallel, interconnected, and yet differently orientated trajectories that encompass art, nature and ecology. The exhibitions ‘Field Work - part 1’ and ‘Field Work – part 2’ address contemporary perceptions and understandings of nature.
FW2 : Amy Balkin, Roderick Hietbrink, Juneau Projects, Fritz Haeg, Servet </summary><link rel='alternate' type='text/html' href='http://www.culturecuts.net/shortlist/2008/06/smart-field-work-2.html' title=': SMART | Field Work 2'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=16504365&amp;postID=2835975471997798485&amp;isPopup=true' title='0 Comments'/><link rel='replies' type='application/atom+xml' href='http://www.culturecuts.net/shortlist/atom.xml' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/2835975471997798485'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/2835975471997798485'/><author><name>***</name><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-16504365.post-5850087377309945184</id><published>2008-06-18T22:25:00.003+02:00</published><updated>2008-06-18T22:50:21.420+02:00</updated><title type='text'>: Radical Software Group | Kriegspiel</title><summary type='text'>
screenshot KS | RSG click2XL
Ideas improve. The meaning of words participates in the improvement. Plagiarism is necessary. Progress implies it. It embraces an author's phrase, makes use of his expressions, erases a false idea, and replaces it with the right idea.
So wrote Guy Debord, prominent member of the Situationist International and major instigator of the infamous Paris uprisings of May '</summary><link rel='alternate' type='text/html' href='http://www.culturecuts.net/shortlist/2008/06/radical-software-group-kriegspiel.html' title=': Radical Software Group | Kriegspiel'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=16504365&amp;postID=5850087377309945184&amp;isPopup=true' title='0 Comments'/><link rel='replies' type='application/atom+xml' href='http://www.culturecuts.net/shortlist/atom.xml' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/5850087377309945184'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/5850087377309945184'/><author><name>***</name><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-16504365.post-7913208101887095039</id><published>2008-06-17T22:22:00.002+02:00</published><updated>2008-06-17T22:34:52.068+02:00</updated><title type='text'>: Uovo Open Office 08 | Jorge Peris</title><summary type='text'>

Jorge Peris | Uovo Open Office 2008
:. Jorge Peris | SMART Project Space
:. Uovo Open Office
tags : art, peris, uovo</summary><link rel='alternate' type='text/html' href='http://www.culturecuts.net/shortlist/2008/06/uovo-open-office-08-jorge-peris.html' title=': Uovo Open Office 08 | Jorge Peris'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=16504365&amp;postID=7913208101887095039&amp;isPopup=true' title='0 Comments'/><link rel='replies' type='application/atom+xml' href='http://www.culturecuts.net/shortlist/atom.xml' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/7913208101887095039'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/7913208101887095039'/><author><name>***</name><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-16504365.post-2688932744857910551</id><published>2008-06-11T00:12:00.004+02:00</published><updated>2008-06-16T12:46:01.819+02:00</updated><title type='text'>: Rainer Potchul</title><summary type='text'>
Sehnsüchtiges Schwein | click2XL

Märchenzauber, Fabelwesen und fantastische Geschichten verbindet der erwachsene Mensch meist mit der Erinnerung an eine unbeschwerte Kindheit mit heiteren Grenzwelten zwischen Traum und Realität, die im günstigsten Fall durch die von den Eltern vorgelesenen Geschichten angeregt wurden.

Der unmittelbare Spaß der Glückssuche scheint für den Erwachsenen durch </summary><link rel='alternate' type='text/html' href='http://www.culturecuts.net/shortlist/2008/06/rainer-potchul.html' title=': Rainer Potchul'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=16504365&amp;postID=2688932744857910551&amp;isPopup=true' title='0 Comments'/><link rel='replies' type='application/atom+xml' href='http://www.culturecuts.net/shortlist/atom.xml' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/2688932744857910551'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/2688932744857910551'/><author><name>***</name><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-16504365.post-6997199722385438511</id><published>2008-06-06T15:23:00.003+02:00</published><updated>2008-06-06T15:33:12.627+02:00</updated><title type='text'>: Zusammen die Utopie leben ...</title><summary type='text'>

Jeder Mensch hat das Recht auf ein gutes Leben!
Im Rahmen des Aktionsmonats Zusammen die Utopie leben ...
wird am Sa, 07.06.2008 in Freiburg i. Br.
eine Dreiländerdemonstration stattfinden.
Jeder Mensch hat einfach aufgrund ihrer und seiner Existenz das Recht auf ein gutes Leben: Auf ein Leben, das Teilhabe am gesellschaftlichen Reichtum ermöglicht. Das muss sich niemand verdienen, nicht durch </summary><link rel='alternate' type='text/html' href='http://www.culturecuts.net/shortlist/2008/06/zusammen-die-utopie-leben.html' title=': Zusammen die Utopie leben ...'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=16504365&amp;postID=6997199722385438511&amp;isPopup=true' title='0 Comments'/><link rel='replies' type='application/atom+xml' href='http://www.culturecuts.net/shortlist/atom.xml' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/6997199722385438511'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/6997199722385438511'/><author><name>***</name><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-16504365.post-6023307263579828868</id><published>2008-06-03T20:40:00.010+02:00</published><updated>2008-06-04T19:11:28.595+02:00</updated><title type='text'>: Beats In Space</title><summary type='text'>
Darlings, It's time 4 summer
Beats in Space is a radio show mixed live by Tim Sweeney in New York City on WNYU 89.1 FM every Tuesday night from 10:30pm to 1:00am. Guest DJ's who have appeared on the show.
:. Beats In Space | iTunes

shortlist proudly presents
 Strangefruit Guest Mix | 1h20' |

|| Playlist | Strangefruit of Mungolian Jet Set guest mix:
|| BIS Mar. 25th 08 (part 1) :: [stream] [</summary><link rel='alternate' type='text/html' href='http://www.culturecuts.net/shortlist/2008/06/beats-in-space.html' title=': Beats In Space'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=16504365&amp;postID=6023307263579828868&amp;isPopup=true' title='0 Comments'/><link rel='replies' type='application/atom+xml' href='http://www.culturecuts.net/shortlist/atom.xml' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/6023307263579828868'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/6023307263579828868'/><author><name>***</name><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-16504365.post-1531160116643809012</id><published>2008-06-03T18:31:00.006+02:00</published><updated>2008-06-04T09:35:37.085+02:00</updated><title type='text'>: Dhafer Youssef | Odd Poetry</title><summary type='text'>
Dhafer Youssef Quartet performing at the Jazz Onze Plus festival in Lausanne 28 oct 2006. Dhafer Youssef on oud and voice, Eivind Aarset on guitar, Audun Erlien on bass and Rune Arnesen on drums.
Odd Poetry from Dhafer's 2006 Jazzland release 'Divine Shadows'.
tags : Youssef, Aarset, Erlien, Arnesen, music </summary><link rel='alternate' type='text/html' href='http://www.culturecuts.net/shortlist/2008/06/dhafer-youssef-odd-poetry.html' title=': Dhafer Youssef | Odd Poetry'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=16504365&amp;postID=1531160116643809012&amp;isPopup=true' title='0 Comments'/><link rel='replies' type='application/atom+xml' href='http://www.culturecuts.net/shortlist/atom.xml' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/1531160116643809012'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/1531160116643809012'/><author><name>***</name><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-16504365.post-8191671948701285750</id><published>2008-05-18T05:47:00.004+02:00</published><updated>2008-05-18T11:10:50.402+02:00</updated><title type='text'>: Matt Wolf | Wild Combination</title><summary type='text'>
stills from WILD COMBINATION
courtesy © Matt Wolf


WILD COMBINATION  von Matt Wolf
ist ein Film über das Leben und die Musik des 1992 an AIDS verstorbenen Experimental-Musikers Arthur Russell, der auf der diesjährigen Berlinale 08 Premiere hatte.
In der Musik des amerikanischen Cellisten fanden Disco dance floor und Avantgarde zusammen; zu den Musikern, mit denen er gearbeitet hat, gehörten </summary><link rel='alternate' type='text/html' href='http://www.culturecuts.net/shortlist/2008/05/matt-wolf-wild-combination.html' title=': Matt Wolf | Wild Combination'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=16504365&amp;postID=8191671948701285750&amp;isPopup=true' title='0 Comments'/><link rel='replies' type='application/atom+xml' href='http://www.culturecuts.net/shortlist/atom.xml' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/8191671948701285750'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/8191671948701285750'/><author><name>***</name><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-16504365.post-6945684381422113086</id><published>2008-05-16T12:38:00.003+02:00</published><updated>2008-05-16T12:55:20.725+02:00</updated><title type='text'>: 250 Millionen Dollar für ein Brot</title><summary type='text'>
| click2XL

Zimbabwes Zentralbank hat als Reaktion auf die Hyperinflation von 165.000% eine Banknote im Nennwert von 500 Millionen Zimbabwe-Dollar ausgegeben. Erst vor einer Woche hatte die Zentralbank die abgebildete 250-Millionen-Dollar-Note herausgebracht, ihr Wert ist umgerechnet ca 65 Euro-Cent, dafür bekommt man ein Brot in Zimbabwe.

Für die Landwirtschaft gab die Zentralbank spezielle </summary><link rel='alternate' type='text/html' href='http://www.culturecuts.net/shortlist/2008/05/250-millionen-dollar-fr-ein-brot.html' title=': 250 Millionen Dollar für ein Brot'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=16504365&amp;postID=6945684381422113086&amp;isPopup=true' title='0 Comments'/><link rel='replies' type='application/atom+xml' href='http://www.culturecuts.net/shortlist/atom.xml' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/6945684381422113086'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/6945684381422113086'/><author><name>***</name><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-16504365.post-6802127364358740720</id><published>2008-05-14T16:28:00.002+02:00</published><updated>2008-05-14T16:36:18.767+02:00</updated><title type='text'>: Islands Of LA</title><summary type='text'>



Ari Kletzky proklamiert mit seiner The Islands of LA Nat'l Park - Kampagne die öffentlichen Verkehrsinseln in Los Angeles zu einem Mikrokosmos von 'Inseln der Kunst' in einem landesweiten 'Nationalpark der Kunst'. "Come travel here in this idea", spricht er seine Einladung aus.
Seit Herbst 2007 signiert er die Islands Of LA, und will mit der unkonventionellen Aktion die Frage stellen: Wem </summary><link rel='alternate' type='text/html' href='http://www.culturecuts.net/shortlist/2008/05/islands-of-la.html' title=': Islands Of LA'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=16504365&amp;postID=6802127364358740720&amp;isPopup=true' title='0 Comments'/><link rel='replies' type='application/atom+xml' href='http://www.culturecuts.net/shortlist/atom.xml' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/6802127364358740720'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/6802127364358740720'/><author><name>***</name><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-16504365.post-1571863314230969359</id><published>2008-05-13T00:57:00.008+02:00</published><updated>2008-05-13T01:55:20.146+02:00</updated><title type='text'>: Mahalla Intifada | Nasser Nouri</title><summary type='text'>





The Mahalla Intifada
Nasser Nouri | CC 2008
complete slideshow | flickr
Hungerrevolte in Mahalla
Zwischen den Hungerrevolten in Haiti |fr| und Bangladesh |lz| im April 2008 gab es für die Aufstände in der ägyptischen Industriestadt Mahalla, im Nildelta auf halber Strecke zwischen Alexandria und Kairo, nur Randnotizen |taz| in der deutschen Presse, nationale Institute wollten mit dem Hinweis</summary><link rel='alternate' type='text/html' href='http://www.culturecuts.net/shortlist/2008/05/mahalla-intifada-nasser-nouri.html' title=': Mahalla Intifada | Nasser Nouri'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=16504365&amp;postID=1571863314230969359&amp;isPopup=true' title='0 Comments'/><link rel='replies' type='application/atom+xml' href='http://www.culturecuts.net/shortlist/atom.xml' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/1571863314230969359'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/1571863314230969359'/><author><name>***</name><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-16504365.post-94635418386286963</id><published>2008-05-08T11:22:00.003+02:00</published><updated>2008-05-08T13:51:32.131+02:00</updated><title type='text'>: BLOG 4 BURMA | FAKTEN , PHRASEN , FRAGEN</title><summary type='text'>

Knapp eine Woche vor dem so genannten 'Referendum' zur Durchführung der ersten 'demokratischen' Wahlen in Burma seit 1990 konzentriert sich das aktuelle Medieninteresse einzig auf einen verheerenden Zyklon. Zugegeben, zur Entwicklung einer persönlichen Haltung zu der politischen Situation der burmesischen Bevölkerung unter einer Militärjunta bedarf es einer längeren Recherche. Aus </summary><link rel='alternate' type='text/html' href='http://www.culturecuts.net/shortlist/2008/05/blog-4-burma-fakten-phrasen-fragen.html' title=': BLOG 4 BURMA | FAKTEN , PHRASEN , FRAGEN'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=16504365&amp;postID=94635418386286963&amp;isPopup=true' title='0 Comments'/><link rel='replies' type='application/atom+xml' href='http://www.culturecuts.net/shortlist/atom.xml' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/94635418386286963'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16504365/posts/default/94635418386286963'/><author><name>***</name><email>noreply@blogger.com</email></author></entry></feed>